So for this script again we collaborated as are group to complete these exercises. The start of the scene is Walt looking at are eyeball. O.T.S Close up of the object.
M.S of me holding the eyeball hearing someone knock at the door capturing my attention. I then put the object down at it continues to have me in M.S till i walk to the door.
Because i was in the shot i had to imagine what this frame would look like could of shot it different ways. One having it me and Gail in are W.S or even Getting are Wide Lens and make the room space more suppressed.
O.T.S of me and gail in are M.S I really like how the space was used in this shot only cause it has more depth and i will defiantly use this type of shot and shoot it in the same way.
Continues shot of Me and Gail panning from left to right in are M.C.U. Because in the script my wife has just knocked on the door so the curiosity is starting to build.
Back to the W.S of me and gail i then ask her if she could take a seat. From there thats when we start to do the External reverse O.T.S shots.
External Reverse O.T.S of me and gail discussing why she is here. I really like the M.S because it shows a lot of body language and for the audience it keeps them guessing. Over the shoulder has to be are good way to use conversations in your work.
M.C.U She then gets papers that believe to be divorce papers and it is good to show the reactions of gail only to show that it is bad news. But making sure you don't get to close.
Reason why we shot it like this is to get as much reactions without close up's of me and Gail to me it was are good experience and i believe that we did are good job if i was to do this again i will make sure i nail it even more only because it was are team effort im happy with our script and video.
M.S of me and then slowly zooming in to catch my tears or how people say to make it look more personal. I like this ending shot to find are transaction that will be similar with my C.U.
Diagram
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